I like vinyl, but I seldom buy it since I seldom play it. 7″s I do have quite a few though. This is partly because before the internet 7″s were a cheap way to get to know new music and of course 7″s are sometimes fairly exclusive releases. Here come a few covers. The scans did not turn out too well, but I am sure all are listed in Discogs too anyway, so…
Recently I have been reading some books about the history of industrial music. “Assimilate“, “Industrial Evolution” and “England’s Hidden Reverse” (not yet finished when I write this). “Assimilate” starts with the early scenes of Northern England, Berlin and San Francisco, but soon speaks only of relatively popular bands and projects.
“Industrial Evolution” focusses on the UK, but this is not strange, because it started as a book about Cabaret Voltaire. The author has nothing good to say of more extreme projects such as Whitehouse and Sutcliffe Jugend.
When I write this, I have not yet finished “England’s Hidden Reverse”. This book is, of course, also mostly about the UK too, but it at least does not shy Whitehouse or even more over-the-top projects like Fistfuck, so there may be more about the extreme side of industrial here.
It is funny how memory works. When somebody would ask me about my musical background I would start with something like the following. My father has a fairly big vinyl collection and a varried taste, so from an early age I encountered all kinds of different music. As a youngster I went to popfestivals and when I started to develop a musical taste of my own around the age of 12, I leaned towards more alternative music styles. Lateron my taste got a big ‘rougher’ with a Guns’n’Roses period slowly growing towards metal. When I had to double a year on highschool, I shared the class with a guy who listened to death metal. Unfamiliar with the style, I listened to a large part of his huge collection. There was not a whole lot that I liked. Deicide and Macabre were about it. Then we heard about the upcoming debut album of the Swiss black metal band Samael (“Worship Him” 1991) which was for me a more interesting style and for the class-mate a step towards even darker music.
I always say that I have never been much of a magazine reader. I do not really care much what artists that I listen to have to say. Still, when I was looking for something the other week, I ran into a firm pack of “fanzine”, “zine”s, “magazine”s and similar publications. The peak lays in the years 1994 to 1996, the time that I shifted from metal to industrial music. I was surprised to see how many magazines that I have that feature both these scenes. There are also some classic interviews. I might want to read back a couple of them some time. Here are some covers for your enjoyment.
Ah, those old cassette demos. I have quite a few of them, most from about 1990 to 2000. Here are some covers for you to enjoy.
What goth style goes with what musical style? Here some prejudices 🙂
I made scans of some old flyers and those CMI collectors cards of a decade or so ago.
"Neofolk", not as folky as the term suggest. A few videos with older and newer material.
A few Youtube videos with danceable sounds.
A short text about extreme electronic music with embedded Youtube films as examples.
An extreme kind of house music which takes inspiration in apocalyptic science-fiction films.
The danceable side of industrial music.
Politics, provocation or just art? A story about a style loved by many, feared by many more.
The title says it all I suppose.
"Gothic" is an umbrella term for a wide variety of music. The best-known kind is the one that I first ran into. Read here a little story about "goth".