Geneviève Pasquier * Le Cabaret Moi (cd 2009)
The female half of Thorofon / The Musick Wreckers is back. It is only recently that I got to know Geneviève Pasquier (about a year ago) and I have to admit that I pulled her three earlier releases off the internet. I like some of the songs on these albums. Pasquier has a nice mix between oldstyle industrial and electropop, but the result is less predictable than this description suggests. On “Le Cabaret Moi” Pasquier has a little bit more of a ‘cabaretesk’ sound, the lyrics are now mostly in French and Pasquier incorporated a few new sounds. Still the new album is recognisable in song structure and style. Poppy songs with strange distorted industrial sounds or simply rhythmical industrial with Pasquier’s singing, most of the time nicely catchy. Yep, an original style and I happen to like this relatively more accessible current in the extreme electronics scene and this album is a very nice one in this direction.
Links: Geneviève Pasquier, Ant-Zen





As ORE keeps releasing new albums, my interest deminishes, the last Triarii album is a great album though and the “Roses For Rome” song that these two did together is very nice too. So what would an entire album of a combination of these two projects sound like? Besides the first and last track, it seems that ORE had a lot more influence on the sound as Triarii. The songs are tranquil, ORE-like and only on the background are some martial industrial or orchestral sounds. It is funny to hear the similarities of the sounds of both projects and “Three Hours” sounds better than ORE alone, but I would have like a bit more Triarii sound in here. I must say that like with Triarii the simple melodies start to work better after a few rounds in the player, so maybe this album will grow on me a bit more.
When I saw this album on a distribution list I did not realise that I knew this band from some online compilation (“
There is this Dutch project called