I got this compilation with a Beläten order. It is limited to 200 copies and so far the only release on the Mustard Relics Recordings label.
After an introduction follows a nice track of what we would call “minimal wave” nowadays, but according to Discogs the project called Prayers only released two 7″s on WEA and EMI in 1990 and 1992, filed “eurohouse”!
Continuing with Angels Dust, a new project that creates strange ‘beat-scapes’ with female vocals. Perhaps best described as IDM. Not really my cup of tea. The other track of Angels Dust does not sound entirely alike, but the description again fits.
Pornostroika Dadaifi also contributed two tracks. Discogs lists them as a “Cyber Punk band formed in 1999 in Lesvos, Greece”. This may go for the weird and nice second track, the first is a less interesting experimental, atmospheric thing; perhaps old-style-industrial is a decription.
Another project with no releases on Discogs: Mach Baron. Their only track starts as dark ambient, but quickly goes over in quite typical “gabber”, hardcore techno.
Then we have a project that does have two releases on Discogs, recent even, 2014. Street Sects makes noisy industrial rock. Not of the typical Ministry style, but do think in that direction.
After this follows the only project that I knew: Blitzkrieg Baby. Kim Sølve contributed a nice, strange and slow industrial track.
The next project I have not mentioned until here presents an interesting track. Pyrotoxxxn starts with a dark sound over rattling beats and after a more quiet middle part continues with more ‘hiphopish’ rhythms. The end becomes more energetic and interesting again.
So how do I describe the track of Peopling? A steady, noisy pulse functions as rhythm. A (digitalised?) bass guitar makes the only thing that can be called a melody and then there are strange vocals. A noisy interlude slides into a more quiet end. A very interesting track! Peopling has another interesting track. “Groundloss” I think is more in the nowave tradition with noise created with guitars and effects.
A long track is Scab Queen‘s “White Forest” of almost 10 minutes. This is a (to me) uninteresting unstructured ‘scape of sounds’.
The longest track lasts almost 15 minutes. Glanko‘s “Terr” (live!) starts as dark ambient, takes over a third of the track to go over in a more guitar-trance like middle part with a piano-synth and ends more spacey again. A track much different from what came before, but interesting when you enjoy experimental spacerock kind of music.