It looks like I missed the 7″ version of this release. Now it is added to the band’s Bandcamp so you can buy a download. I suggest you do! “Papist Pretender” is TxRxP at its best. The opening track with its dark vocals and slowly pounding beats reminds a bit of Mental Destruction. Lateron Ekelund proves that things can get even slower, dirtier and darker. The most remarkable track is a cover of The Moon Lay Hidden Beneath A Cloud; of course untitled, but when I say: “into the dark night, follow a true light”, I am sure you will know what song we are talking about. Where the TMLHBAC version is relatively light and happy, Trepaneringsritualen turned it into a horror soundtrack.
Yep, TxRxP again proves to be one of the more interesting artists in the current industrial scene.
Links: Trepaneringsritualen, La Esencia
Who remembers the 1994 album “Dreams Of Dark Waters” by Endvra? Now that was a dark piece of ritualistic ambient, was it not? Sure, ritualistic ambient is quite a hip genre nowadays, but when does it sound as dark as Endvra, Hexentanz, Equimanthorn or Funerary Call? Here we have a release that makes a good aim, even though the approach is much different from the projects that I named. The project’s name means “the archaic voices”. This is a fitting name, because besides some drones and effects, the music mostly consists of vocal experiments of Per Åhlund and Girilal Baars. The result is haunting and especially in the first track (the circle), it came out very good.
Interesting! Available as Bandcamp download and tape (with free download).
The new IRM on Malignant seems to have more of the ‘eerie’ sound rather than the wall-of-sound type noise. Not a style we have never heard from IRM by the way. What you can expect are the highly distorted (‘underwater’) vocals (so not the screamed and screamed-with-effect kind) with the minimalistic squeaky noisy sounds. There are also some softer, even more minimalistic tracks on “Closure”. What I miss on this new album are the low frequencies, the emotive violence. “Closure” nowhere really gets to me, while other IRM material does.
Links: IRM, Malignant Records
I have ordered this album three years ago, but Fate has kept it from me. It is worth the wait though! There are so many Theologian releases available that I had a problem choosing when I ordered this one. The main reason to choose “The Transfigurations” is that Propergol is on it. Well, there is something strange about this cd.
The album contains eight tracks, all cooperations, respectivelly with Aderlating, Aun, Four Pi Movement, Inswarm, No Festival Of Light, Propergol, Strom,ec and The Vomit Arsonist. Somehow this is all crammed into one long track! In the words of the label: “this cd-r collects recent collaboration tracks from 2010-2011 — some completed, some still in-progress — into a single long track that runs the gamut from ambient drone to harsh noise walls.” It is hard to tell which part is recorded with which artist, but like the description says, the sound goes from ambient to noise and is overall really not bad. Not expensive either, so surf to the Annihilvs website and get this cdr along with some other stuff.
Link: Theologian / Annihilvs
An oldie, but you can get this album from the label with discount. “Cult Of The Young Men” is a typical IRM album. The music is minimalistic noise, not the most extreme stuff you will ever hear, but especially because of the typically sounding distorted vocals and low frequencies, the sound is still pretty oppressive and very dark. However this sound may be like dark ambient in comparison to some power electronics, the totallity of the project makes it one of the more extreme in the scene in my eyes. Bladh presents some of his bloody artwork in the package so you can get the idea. There is a cover of a Joy Division song and a quote of Ian Curtis in the booklet. I doubt that many Joy Division fans would like the association!
Just as the other albums of IRM that I know (and that does not include each and every release), “The Cult Of The Young Men” offers a great piece of dark noise with somehow within the violence an emotional feeling.
Like I said, Annihilvs now offers this album for $ 10,-, but it looks like I got the last copy…. Sorry about that! There are other ways to get this album though, through the Discogs marketplace for example. When you like IRM, get this album too. Do you not know IRM and you want to try some extreme music, but not too extreme in sound, try IRM. A new album is announced for the end of the month by the way, through Malignant.
Links: IRM, Annihilvs
Not the most obvious combination, do you think? When I noticed this release I got very curious what this would be like. Theologian’s wall-of-sound type noise with Wolfkind’s vocals or bluesy guitar perhaps, or more Wolfkind’s Novo Homo sound? Well, none of these actually. “Noir” is a four track, 37 minutes, album with soundscapes; stretched sounds, samples, soft rhythm, that sort of stuff. Not really recognisable as Theologian, however there are softer sides to this project too, not as Bain Wolfkind. The sound is fairly dark and ‘cinematographic’. Perhaps a bit like the softer side of Propergol with a little bit of noise towards the end.
A nice piece of background music.
Links: Theologian / Annihilvs, Bain Wolfkind
I ordered this tape from the Beläten Bigcartel rather than the Bandcamp shop, so I had not heard it when I ordered it. What to think of a description speaking of “post-rock vibes, psychedelic ballads, epic dirges, motorik-driven acoustic dance music, twitching post-punk”? The tape certainly is experimental!
The opening track is a tranquil track loaded with speech-samples. Then we continue with post/noise rock, industrial and more poppy or wave songs. Not the most common combinations indeed. I do not immediately love this tape, but it all sounds quite interesting and I think it will grow with a few more listenings.
However I ordered this exquisitly packaged tape from Beläten, it was released by Red Cavity Records who also released the Tanz Ohne Musik tape that I reviewed a while back.
The music starts with soundscapes, analogue according to the description. Here and there the sound is quite ritualistic, not entirely unlike Zero Karma or Chöd. Halfway the sound becomes a lot darker with an excellent “Self Eating Serpent”. The last tracks are nicely dark too.
Links: Alone In The Hollow Garden, Red Cavity Records
A new Venetian Snares? What would mr. Funk come up with this time? “My Love…” opens rather jazzy. Not is not completely new and I must say that I can have Funk’s jazz pretty well. Soon it becomes clear that Venetian Snares again tried to make a pompous album with classical music too, so here we have two styles combined. Then there is the (by now familiar) mix between classical and breakbeats. Sometimes the beats go out of control, sometimes the music is easier to listen to. What is more, I have not heard each and every Snares album, but I do not really remember hearing the man himself sing. He has quite a peculiar voice. He is not a very good singer, but it is not like the vocals are out of tone with the music.
There are a couple of very good tracks. Other tracks are just allright. Overall “My Love Is a Bulldozer” is a nice album.
Links: Venetian Snares, Planet Mu
Trepaneringsritualen released material on a whole range of small labels. This is the third release on a relative major (after an lp and cd on Malignant). This will certainly be good for the spread of the wonderfull name. Cold Spring made a very nice digipack and what is more, this album might very well contain the best Trepaneringsritualen material so far. It reminds a lot of the WGT show in Leipzig. It is very industrial, with a lot of beats, rhythm and screamed vocals. Several earlier releases have less energy, are more ‘ambient noise’ so to way. “Perfection & Permanence” lives up more to the often used description “death industrial” that people put on this Swedish project.
This new cd might not only be more easy to obtain than other releases of Trepaneringsritualen, but for all of you who have not yet hear this project, give a great idea of how dark and aggressive this project (and his live shows!) can get.
Links: Trepaneringsritualen, Cold Spring