Celebrating their 20th aniverary Thorofon reworked some old material. However I thought I was quite familiar with this German industrial project, I do not recognise a whole lot of tracks.
As you can expect the sound on “Roots” is a bit more old-style, more industrial than the recent ‘industrial disco’ type of releases. Recent releases do seem to have more extremities between harsch industrial and more ‘disco’ tracks than “Roots” though. This new album is fairly consistantly industrial, but in the Thorofon style of course.
A nice release from Ant-Zen.
Links: Thorofon, Ant-Zen
A new Idehall. Would it be a ritualistic soundscape or more in the vein of “Sol” and “Deep Code”? Since it is released by Ant-Zen (in collaboration with Beläten), who also released the two named releases together on one disc, I had hopes for the latter. This is not entirely true though.
“No Man’s Land” in one way holds the middle between the soundscape style and the other style of Idehall, but it actually presents something new as well, a development of style, because the music is still recognisable as coming from Michael Idehall. The sound is still ritualistic and somewhat dark, but it got more of a dirty, industrial touch with squaks, noises and rhythm. Sometimes the music is downright noisy. This new sound is enjoyable, but I would not have minded to hear some of the more pompous tunes as can be found on the previous Ant-Zen release and Idehall made less use of his voice.
Then again, “Nightmare” is a magnificent noisy track that might have been somewhat out of place on “Sol” or “Deep Code”. Here it forms the middle and energetic peak of the album.
I think this album may appeal to people who like ritualistic dark ambient with an industrial and noisy edge. When you like Idehall’s previous releases, you should certainly listen to this new one. Be warned that it is a little different though. Personally I still prefer “Deep Code”, but I also enjoy this new album quite a bit.
Links: Michael Idehall, Ant-Zen, Beläten
Who would have thought there would be another Sophia album after 13 years? Of course Sophia did a few shows in the last years, so “Unclean” did not totally come as a surprise. Before I found a place to order the cd, the album could already be found on Deezer (and undoubtely Spotify) so I already had a listen to this 37 minute album.
Like we are used to from Sophia there are pompous, orchestral industrial tracks and more dark ambient tracks. The slow tracks with the big blasts and whispered vocals remind of In Slaughter Natives, perhaps even more than ever. The towards the end there are two superb tracks in which Bjargö uses his voice in a more interesting way and created more uptempo music.
“Unclean” is not a masterpiece, nor is it really innovating. It is another descent Sophia album though.
Links: Sophia, Cyclic Law
I have known this band for a while. I ran into them when digging through the ‘minimal wave scene’, but this scene is a bit wider concerning musical styles. The same can be said about The KVB, because they do not really make ‘minimal wave’, but rather some sort of ‘shoegaze’. Over the years I have read all kinds of descriptions for music from that corner. “Ghostwave”, “witch-wave” and whatnot.
Basically the music of The KVB is electronics and a (bass) guitar. What you see more often from this angle of music, it is a boy/girl duo. Music-wise you may think of The Soft Moon and in a far distance A Place To Bury Strangers. More comparable is some of the music released by Aufnahme + Wiedergabe.
“Of Desire” is an alright album. The same I can say about many releases from this ‘scene’. It is currently a type of music that I listen to quite a bit, but there is not a whole lot that I think is completely brilliant. Since it is easy music to listen to, it goes well as background music.
Should all this be new to you, The KVB is not the worst band to start your explorations with. They are big enough for this album to appear on Spotify and Deezer, so it is not difficult to give them a try.
Links: The KVB, Invada
I have known Violence Conjugale for a while. They have one brilliant and several nice tracks. They make something between “minimal wave” (in the slower tracks) and “old style EBM” (in the faster tracks) plus a sound of their own. This ‘minimal wave scene’ is an odd scene. I just took this project to be from that corner and now they share labels with Duchess Says. Also the previous release from 2012 is (based on the label) more to be placed in the “electropunk” scene and now again.
Just as I know Violence Conjugale, this new album contains alright tracks, but especially the more uptempo tracks are more of my liking. There is nothing like “Homosexualis Discotecus”, but this new lp sure contains a few interesting tunes.
Perhaps it is fairer to say that this project holds the middle between “minimal wave” and “electropunk”. Anyway, a project you may want to have a listen to.
Links: Violence Conjugale, Teenage Menopause Records
However I can enjoy some pretty extreme music, this German project is often too much for me. Their sound can be chaotic and extreme with high frequencies and little structure. GO also has darker tracks that I do like, but also among their more extreme material there are tracks that I like. The thing is, an album contains perhaps a few tracks that I like and a lot that I do not. Hence, GO albums are a bit of a risk to my ears.
27 Years after their first release (!) there comes an album that is perhaps GO, but maybe not too typical. “Obituary Of The Americas” has more of a wall-of-sound type of noise than their usual chaotic power electronics. Not that this album sounds like Ex.Order, but their style is more comparable that some GO tracks. Compared to other GO material, this new album is easy-listening. You still have to be able to be a musical masochist to enjoy this album though, so be warned! “Death industrial” is probably a good description. Anenzephalia but somewhat harscher.
A track like “I Don’t Wanna Die” is really my kind of noise. A static, pulsating sound, very extreme vocals, a wall of lower frequencies and a lot of samples. Also other tracks are pretty good, extreme, but not over my edge.
I like the ‘new’ sound of GO! It comes as a limited lp and an unlimited cd.
Links: Genocide Organ, Tesco Germany
Four years ago Metroland released the nice album “Mind The Gap”. I saw them live at the Summer Darkness festival in Utrecht and I really like the Kraftwerk sound of the project. The projects name and all the tracks were ‘metro-themed’, the music analogue minimalistic and danceable. Also live Metroland had the static Kraftwerk-look.
Looking at Discogs I apparently missed most releases. I only know the “Thalys” box (2014) the music from which is alright (apparently I fogot to review it).
“Things will never sound the same again”, a very fitting title for the new album. When I put on the album I wondered if I chose the wrong one. The opening of the album sounds nothing like the Metroland that I knew. The minimalistic dance-sound does return soon though and the analogue Kraftwerk sound tracks are obviously Metroland. That Passengers A and B seem to have wanted to experiment with another sounds as well. “Good Moaning” is a bit more uptempo, the title track leans a bit towards electro as does “Under The Roof” (still a Metroland version of electro though).
Something different and something recognisable. Does this album mark the transition to a much different sound?
Links: Metroland, Alfa Matrix
However this project is from my own country, I do not remember having heard of Arpatle. Judging Discogs, this is Arpatle’s fourth release in a seven year period (the website also lists a free download album).
Arpatle makes dark ambient which is sometimes fairly typical. Sometimes the music is more “soundscapes”. Here and there the music is a bit darker or even a little bit noisy and the sixth track “Sheithu” even sounds a bit industrial in a few moments.
I am not too crazy about the soundscape-parts, but in the more ‘lively’ parts are more of my liking.
Links: Arpatle, Offshoot Records
There is not a whole lot of information on this disc. No track titles for one. There is this though:
> Recorded in 2003 by – Xavier H
> Mastered in 2015 by Peter Andersson
According to Discogs that would be Peter ‘Raison d’Être’ Andersson and not Peter ‘Lina Baby Doll’ Andersson, but who is Xavier H.? Judging the cover of the cd which is the same as the logo of the label Death Continues Records, my guess is that H. is the man behind the label. So what about the “III”? If Discogs is correct, this is In Search Of Death’s (and Xavier H.’s for that matter) first and only release. Perhaps the third attempt?
I bought this cd as being “death industrial”, but that is not a very good description in my opinion. The cd is not harsch enough to be “death industrial”, but it is too hard to be “dark ambient”. Most tracks hold somewhere in between. “Dark and noisy ambient” that would be a description. There are also passages where the sound gets pretty noisy though, so when you like dark ambient, but not noise, think twice before buying this album.
The music on this cd is alright. It is moody and dirty, but not terribly interesting. It is not boring either, so it will work out just fine as background music.
It appears that there are only 200 copies of this cd by the way.
Links: In Search Of Death, Death Continues Records
The title suggests that this album is a look back at a 17 year career. In a way it is, but in another way it is not.
“17 Shameless Years” contains old and new material, but all old material has been reworked into the ‘new sound’. The music became a dark piece of industrial, wall-of-sound power electronics with lots of vocals and samples. Institution D.O.L. already were pretty loud, but the new sound might please lovers of death industrial perhaps more than people who like the noise of the old days. But, like before, there are also more ambient tunes and more ‘industrial disco’ type tracks to be found on this album and one track could just as well have been of Control.
Perhaps not so much changed afterall. I guess I have to play their previous (2007!) album again some time to compare.
In any case, vicious music with not too many unstructured high frequency noise, a descent dark atmosphere. Yep, a kind of noise I can listen to.
Links: Institution D.O.L., Klanggalarie