300 * Zack Snyder * 2006

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Another graphic novel of Frank Miller put to film, but however this brings too easy comparisons with “Sin City”, don’t let yourself be fooled by that. “300” Is not a visual comic, but a film with actors and indeed most of the scenes come out of a computer, but they do (fortunately) look nothing like “Sin City”. “300” Has risen some discussions. Is it just a spectacular semi-historical action film like “Gladiator”? Is it a glorification of violence? Is it the glorification of the ancient warrior ethos? There are even people seeing political layers, where a Western elite fights an invading power. For some reason Iran has chosen to identify itself with a gayish Xerxes that organises orgies and who in fact ‘represents’ the pre-Islamitic religion of Persia, but apparently, when things can be turned to their use, they will complain. In any case, “300” indeed is a glorification of the ancient warrior ethos in my opinion. The king Leonidas is shown in a boyhood and the violent initiation into the world of the soldier is shown (not completely unlike the ancient reality I might add). The Spartans are shown as the elite warrior troop from Greece and only 300 raise against the millions (a minor exaggeration) of Persians that come to invade Greece. The Persians have all kinds of monsters to reach their goal, but the supreme technique of the Spartans make that they withstand almost any attack. The fighthing scenes are shown in a Matrix-like fashion with irritating fast-slow-fast-slow shifts, but spectacular (and bloody) computer graphics and the Spartan übermenschen are shown in all their glory. Politically incorrect? Perhaps. Most people will watch “300” as a spectacular fighting film, some may look for more behind it or connect the film to current tendencies, it is just what you make of it. I don’t know if the makers had a message and actually I don’t care. “300” Is an alright film that is well put together, but in the end, it is just another action film with an original twist. <15/4/07><3>

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