Did I see this film before I started to do reviews? I remember “eXistenZ” as a nice Cronenberg, but not his best. Seeing it again, this conclusion stands. The film is in the ‘old style’, the “body horror” style, of Cronenberg. Gruely looking, semi-living artifacts and a dirty step in technology combined with surgery. The title of the film is a game in which the players Matrix-like plug in to. The players find themselves into a virtual world with an unknown asignment. The game-economy is booming, so the author of eXistenZ is hunted after. Another reason for this is (I suppose) that not everybody likes what Allegra is doing with her games.
The film has a lot of Cronenberg elements, a good atmosphere and a descent story. Indeed, not his best work, but certainly worth the watch if you like his ‘old style’.
Adrey Tautou against plays in a lightfooted, absurdistic comedy. ‘The froth of the days’ (international title “Mood Indigo”) is even weirder than the films of Jean-Pierre Jeunet. Well, maybe not weirder than each and every Jeunet, but certainly a lot less black. Another title of Gondry is “Eternal Sunshine Of A Spotless Mind“, also a weird film, but in a very different way.
“l’Écume Des Jours” starts with a series of completely weird scenes, strange findings and plays of script-writing; absurdistic and funny. We follow a wealthy young man, Collin, who has a wonderfull house where he dines with his friend Chick, aided by his cook Nicholas. There is no beginning to tell you the odd serial of events, but you sure have to have a heart for the completely strange. Collin wants to fall in love and finds the excellent candidate Chloé, played by Audrey Tautou. The two have a weird and wonderfull time until Chloé gets a strange decease. Trying to help his friend and his wife, Collin works himself into bankruptcy. The film looses its light touch.
Just like the only other film of Gondry that I saw so far, this is again an original piece of script-writing and a film that dangles between feel-good comedy and drama. A very nice film.
“Her” plays in a near future where technology is just a little futher than today. It is a psychological and romantic drama, but the most notable element is that the woman is an “operating system” (actually she is more an “app” to me). Theodore (Joaquin Phoenix) installs software for his computer, but he can actually talk to it. Besides notificating him about emails, organising them, etc. Theodore has conversations with his rapidly self-improving computer (which is connected to the internet of course). Soon it tells jokes and even develops feelings and emotions, the ability to compose music and Theodore starts to fall in love with the perfect woman.
The drama and romance work upto a certain level, but after a while things start to become increasingly less credible. The odd situation is used well to show some psychological aspects of relationships, but overall I did not find the story really convincing.
Not a bad film though, but not as good (to me) as some people want you to believe.
A film about the serial killer that called himself Zodiac from David Fincher whom we all known for films such as “Se7en”, “Fight Club” and “The Strange Case Of Benjamin Button”. Ficher took over 2,5 hours to tell the story of the killer of whom it is not with certainty known who he was. The film is based on the book by Robert Graysmith. Actually, the film is about how Graysmith wrote his book.
Graysmith was a cartoonist for one of the newspapers that received information of the media-horny Zodiac killer. Even when the Zodiac became less active, Graysmith continued his investigations.
The first part of the film is a thriller. We see the Zodiac performing his hideous crimes. Lateron the focus shifts more to the investigations and then to Graysmith. Obvious is the despair of not being able to find and catch the killer. The film has a good atmosphere and gives an interesting insight into a gruely story.
Two seasons, three episodes each. That is not quite what we think of when we hear “series”. Furthermore the episodes are not ‘serial’. Each episode stands on its own, with its own story, actors, etc. The episodes are very different, but the red thead throughout the series is technology. The creators really try to make you think about technology.
The first episode is rather weak. The prime minister is blackmailed by a Youtube terrorist. The next episode is very futuristic and an indictment against Idols-like ‘meat inspections’ and the hollowness of modern media. In the last episode of the first season we follow people who have a chip inserted in their brain that records everything they experience with the possibility to look it back.
In the first episode of the second season a woman replaces her deceased boyfriend by advanced technology. In the second episode a young woman is filmed by bystanders when she tries to escape a murderer. The last episode features the animated bear Waldo who unintentionally gets involved in politics.
The different episodes are not particularly good. Some are better than others, but overall this is ‘filmographically’ not a must-see. The creaters did take the liberty to experiment with stories and filming which does make “Black Mirror” an interesting experiment. Also the way technology and the way we use it is presented, something very recognisable, sometimes understandable, does put a magnifying glass on it and indeed may make you think about some things.
The IMDb page seems to suggest that there will be more episodes, but the 2014 season is (as of yet) completely empty.
“Animal Kingdom” is a descent thriller/drama about a criminal family. The film opens with a pretty black scene after which the main character, Joshua, is taken in with his larger family under the motherly care of his grandmother. Pretty soon ‘J’ is submurged in the violent world of his cousins and uncles. When the police (mainly the moustaches Guy Pearce) think Joshua might be a way to take care of the family, things get rough.
Like I said, a descent film.
I guess this is a small, Danish, film with some familiar actors. However the film is based on a novel, the story is rather thin. Some old folks try to summon a spirit, but let in the wrong one. That bad spirit raises hell in a small town. A bit secondary to this story are the personal problems of main character Maria.
The atmosphere is not too bad, but “Kat” is a standard horror with gruely images and shock-effects. The acting is not too bad and the music well chosen, so I find the 3.6 on IMDb slightly too low, but I am not going to rate it much higher coming to a…
This film makes a nice variation to the too-often-used serial-killer theme. The film does not show the hunt for a serial killer, nor really focusses on a victim. Rather there are different stories of different people somehow connected to one victim of a serial killer. This is done with no intention whatsoever to come to a close or a reason. The film is nothing more, and nothing less, than a peek into a part of the lives of a few people. This is nicely done and results more in a drama than a thriller, but this fits the film well.
“The Master” opens with a long and weird scene with men on a beach. Then the focus shifts to a young man. Freddie Quell (Joaquin Phoenix) always gets himself in trouble forcing himself to flee to another life. On one of those flights, he ends up on the boat of Lancaster Dodd, the master from the title. Dodd proves to be some sort of guru who developped a past-life therapy to overcome both physical and metal illnesses. Dodd is somehow attracted to Quell so even though Quell does not fit either the group around Dodd, nor his method of healing, he remains in Dodd’s presence. The friendship has ups and downs and in the end, Quell’s path leads elsewhere. Or does it?
Dodd is played magnificently by the late Philip Seymour Hoffman. Hoffman manages to raise attraction and repel just by pulling another face. He makes Dodd into an admirable person who often seems very normal and at other times enigmatic. Surely Hoffman was a great actor. Even though I am not a big fan of Phoenix, he is good to have in this film too.
P.T. Anderson has created another drama with a good atmosphere, slightly surrealistic, with amazing camera work and just a bit different from your usual Hollywood drama.
This film will not be in any of my top-film list (not entirely my genre), but it is certainly a good film.
A story that could have fitted in the length of a film is spread over 8 episodes; a story not untold in the film world either. Two detectives try to find a brutal serial killer with a satanic approach. Still, the series are highly regarded. Currently IMDb.com has it rated on 9.3! Now of course that happens more often with series that are new, but with about 160.000 voters and having heard a lot of compliments about the series, I decided to watch a series that is not yet finished. It is said that each “True Detective” seasons stands on its own, even with new main characters for every season (and a new director?). That was another reason for me to get season 1.
A story that could have been told in a third of the running time, that tells you that “True Detective” must be very slow, right? It is! Very slow. The creators took their time to make lengthy, moody shots and a story that unfolds slowly. Here we immediately have the biggest strength of the series. It is extremely moody. It has that ‘Scandinvian bleakness’ with touches of darkness.
The story is about two detectives Marty (Woody Harrelson) and Rust (Matthew McConaughey) who have completely different characters. Marty is the usual cop; a hard worker with a lot of experience. Rust is the younger of the two, but he is a too well-read misanthropist who does have a way of finding out what he wants. The story is told in different ways, in interviews with Marty and Rust and in flashbacks. What is well done is that the two sources of the story do not always overlap, but the viewer seems to be able to make the picture as it should be. The story is told in such a slow pace, that is was not really necessary to build in surprises, yet still there is a slighly dull ‘whodunnit’ suggestion towards the end.
So indeed, “True Detective” is a great series! The sympathy-raise for both main characters works most of the time. The atmosphere and camera work a superb, the music fitting. The story is not really original, but at least the creators did not use the usual brutal violence of the usual serial killer story. Their suggestion works a lot better than that!
Do not read too much about “True Detective”. Just get it and watch it. It is only 8 episodes.