I guess this is a small, Danish, film with some familiar actors. However the film is based on a novel, the story is rather thin. Some old folks try to summon a spirit, but let in the wrong one. That bad spirit raises hell in a small town. A bit secondary to this story are the personal problems of main character Maria.
The atmosphere is not too bad, but “Kat” is a standard horror with gruely images and shock-effects. The acting is not too bad and the music well chosen, so I find the 3.6 on IMDb slightly too low, but I am not going to rate it much higher coming to a…
This film makes a nice variation to the too-often-used serial-killer theme. The film does not show the hunt for a serial killer, nor really focusses on a victim. Rather there are different stories of different people somehow connected to one victim of a serial killer. This is done with no intention whatsoever to come to a close or a reason. The film is nothing more, and nothing less, than a peek into a part of the lives of a few people. This is nicely done and results more in a drama than a thriller, but this fits the film well.
“The Master” opens with a long and weird scene with men on a beach. Then the focus shifts to a young man. Freddie Quell (Joaquin Phoenix) always gets himself in trouble forcing himself to flee to another life. On one of those flights, he ends up on the boat of Lancaster Dodd, the master from the title. Dodd proves to be some sort of guru who developped a past-life therapy to overcome both physical and metal illnesses. Dodd is somehow attracted to Quell so even though Quell does not fit either the group around Dodd, nor his method of healing, he remains in Dodd’s presence. The friendship has ups and downs and in the end, Quell’s path leads elsewhere. Or does it?
Dodd is played magnificently by the late Philip Seymour Hoffman. Hoffman manages to raise attraction and repel just by pulling another face. He makes Dodd into an admirable person who often seems very normal and at other times enigmatic. Surely Hoffman was a great actor. Even though I am not a big fan of Phoenix, he is good to have in this film too.
P.T. Anderson has created another drama with a good atmosphere, slightly surrealistic, with amazing camera work and just a bit different from your usual Hollywood drama.
This film will not be in any of my top-film list (not entirely my genre), but it is certainly a good film.
A story that could have fitted in the length of a film is spread over 8 episodes; a story not untold in the film world either. Two detectives try to find a brutal serial killer with a satanic approach. Still, the series are highly regarded. Currently IMDb.com has it rated on 9.3! Now of course that happens more often with series that are new, but with about 160.000 voters and having heard a lot of compliments about the series, I decided to watch a series that is not yet finished. It is said that each “True Detective” seasons stands on its own, even with new main characters for every season (and a new director?). That was another reason for me to get season 1.
A story that could have been told in a third of the running time, that tells you that “True Detective” must be very slow, right? It is! Very slow. The creators took their time to make lengthy, moody shots and a story that unfolds slowly. Here we immediately have the biggest strength of the series. It is extremely moody. It has that ‘Scandinvian bleakness’ with touches of darkness.
The story is about two detectives Marty (Woody Harrelson) and Rust (Matthew McConaughey) who have completely different characters. Marty is the usual cop; a hard worker with a lot of experience. Rust is the younger of the two, but he is a too well-read misanthropist who does have a way of finding out what he wants. The story is told in different ways, in interviews with Marty and Rust and in flashbacks. What is well done is that the two sources of the story do not always overlap, but the viewer seems to be able to make the picture as it should be. The story is told in such a slow pace, that is was not really necessary to build in surprises, yet still there is a slighly dull ‘whodunnit’ suggestion towards the end.
So indeed, “True Detective” is a great series! The sympathy-raise for both main characters works most of the time. The atmosphere and camera work a superb, the music fitting. The story is not really original, but at least the creators did not use the usual brutal violence of the usual serial killer story. Their suggestion works a lot better than that!
Do not read too much about “True Detective”. Just get it and watch it. It is only 8 episodes.
Here we have a relatively early sadistic thriller/horror. A young man is hired by a rich guy to follow some man. Then the assignment is changed and things take a drastic turn for Sean.
“King Of The Ants” is not particularly good or surprising. There are a few nice hallucinatory scenes and Georges Wendt of Cheers plays an unexpected brutal part, but overall this is certainly no ‘must-see’.
The very British Gilderoy is a sound engineer for films and he is asked to work on an Italian production so he travels to the sound studio from the title. The culture clash seems the red thread of this film. The film that is recorded sounds very bloody, but since, according to the director, it is no horror, I suppose it is a “giallo”. The equipment seems to place the film in that time too.
I got a DVD with only French subtitles and I did not know that the film is spoken in English, but mostly in Italian, so I guess I missed some things here and there. The film is quite minimalistic and some suspence is worked into the work of the characters. Towards the ends there is a completely over-the-top Lynchian scene which is very nice. The rest of the film is amusing.
This old Malick features Martin Sheen who looks a lot like his son at the same age. “Badlands” is a road movie about two youngsters who fall in love and have to flee. Their situation gets worse and worse, especially when the media jumps on the story.
A sort of Bonny and Clyde story. Nothing you have never seen before nowadays, but a nice film.
I do not mind an open end, but “Deadwood” just suddenly stops. The last episode does not even look like the end of a season. So, what about the three seasons that came before that sudden end?
Deadwood is a small US town in the late 1800’s, a prospectors city that arose when gold was found in the neighbourhood. Deadwood does not fall under any juridisction, so there are no laws. Some of the first people who arrived see to it that things go as they want, particularly Al Swearengen, the owner of the first bar in town. Later Swearengen has to give up some of his influence to Cy Tolliver who opens another bar and who is equally inflexible and manipulative as Swearengen. There are even bigger problems to overcome. The plague, towns that want Deadwood under their jurisdiction, but most of all: big bucks.
“Deadwood” is basically a soap. There is not much of a story, but the focus is on the development of different characters. A few of them certainly development in my way of seeing them. This is done truely wonderfully. The good-hearted, foul mouthed drunkard Jane; the bastard who appears not to be so bad afterall Swearengen; Trixie who does not know if she wants to be good or bad; Silas Adams whose allegiance never become clear; etc.
The eye-catching (or actually ear-catching) thing of “Deadwood” is the roughness of the life in the town and the foulness of the language. That is to say, the things people say could have been written by Shakespeare, but every other word is a curse. A weird combination that allowed the scriptwriters to throw themselves on entirely and which makes brilliant conversations that made me laugh out loud several times each episode. Then there is the superb acting. Ian McShane, who plays Al Swearengen, manages to tell complete stories with his face in just seconds. One time he has a face you would run away from, another time -about the same face- deep drama. The same for cursing Jane and a range of other characters. As funny most parts of the series are, as heavy some scenes can be. To close off, the humour is pitch and pitch black, but the characters, how harsch life and they themselves can be, they remain human afterall.
It is said that the series are based on actual characters, the language even (only the cursing has been ‘updated’) some say.
A wonderfull series full of laughs and here and there a tear. I am no fond of too long running series, but I would have liked another season of “Deadwood”.
After visiting the great David Cronenberg exposition in Eye Amsterdam we went to see his latest film. In the exposition a lot of stress is laid on Cronenberg’s weird creations, mixes between bodies and technologies and the like, but nothing of that can be found in his latest film. “Maps To The Stars” is mostly a drama about Hollywood actors and their lives. Julianne Moore once again plays a heavily troubled woman, this time an actress whose carreer is as good as over. Then we have another troubled woman, Agatha Weiss whose past is getting on with her. Agatha’s husband is the successfull New Age Hollywood star doctor Stafford Weiss who goes to great length to keep the drama out of his life so that it does not interfere with his cashflow. Agatha and Stafford have a successfull child-star as a son. Then there is Jerome Fontana who is one of those typical youngsters working in Hollywood to get money and at the same time trying his luck with acting and writing.
All characters are part of the same story, but different sides of it. Nothing fancy for a change, but there are some surprising connections. It looks like Cronenberg wanted to show the dark side of Hollywood and use that element in a slightly mysterious story, or at least, a story which shows the dark side of man.
“Maps To The Stars” is a good drama with good acting, but I must say that I was more in the mood of the old Cronenberg after the exposition.
The box and IMDb suggests this to be a “mystery” and the cover suggests that much, but do not put your money on that! “The Cabin In The Woods” is mostly just another teen-horror-slasher in which a group of youngsters go to a cabin in the woods in order to be brutally slain.
From the beginning there is an uncommon and somewhat sick element that is worked out in a bit too silly way and this does not really raise the film above the teen-slash-horror genre and everything goes very predictable, not unamusing though. Then towards the end two characters open a Pandora’s box which allows the director to pull off every single horror cliché from the shelves and throw in his entire special effects budget. These 20 minutes are highly entertaining.
The film closes with the obligatory ‘intelligent twist’ that should explain all that happened before. Man, what a drag.
Anyways, certainly not a good film, but it is not boring and has one good part.